翻訳と辞書
Words near each other
・ Cinema of Morocco
・ Cinema of Myanmar
・ Cinema of Nepal
・ Cinema of New Zealand
・ Cinema of Niger
・ Cinema of Nigeria
・ Cinema of North Korea
・ Cinema of Northern Ireland
・ Cinema of Northern Nigeria
・ Cinema of Norway
・ Cinema of Obsession
・ Cinema of Odisha
・ Cinema of Oman
・ Cinema of Pakistan
・ Cinema of Palestine
Cinema of Paraguay
・ Cinema of Peru
・ Cinema of Poland
・ Cinema of Portugal
・ Cinema of Puerto Rico
・ Cinema of Quebec
・ Cinema of Rajasthan
・ Cinema of Romania
・ Cinema of Russia
・ Cinema of Samoa
・ Cinema of Saudi Arabia
・ Cinema of Scotland
・ Cinema of Senegal
・ Cinema of Serbia
・ Cinema of Singapore


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

Cinema of Paraguay : ウィキペディア英語版
Cinema of Paraguay

The cinema of Paraguay has historically been small; however, this has begun to change in recent years with films like ''El Toque del Oboe'' (1998), ''María Escobar'' (2002), ''O Amigo Dunor'' (2005) which competed for Best Movie in the Rotterdam International Film Festival, and ''Hamaca Paraguaya'' (2006), which was screened at the Cannes Film Festival, gaining critical acclaim both in Paraguay and abroad; ''7 cajas'' (2012), ''Latas Vacías'' (2014), and ''Luna de Cigarras'' (2014).
== History ==
The first films shot in Paraguay were a series of silent shorts by Argentine director Ernesto Gunche in 1905. The first Paraguayan-made film was Hipólito Carrón's 10-minute-long silent film ''Alma Paraguaya'', made in 1925. He went on to make a number of short documentaries with his nephew and assistant cameraman Agustín Carrón Quell. A handful of documentaries were filmed in the country over the next few decades, though most of these are now lost. The 1932 documentary ''En el Infierno del Chaco'' by the Argentine Roque Funes was the first film shot in Paraguay to use sound.
Feature-length film in Paraguay beings with 1955's ''Codicia'', the first of several Argentine-Paraguayan co-productions the most famous of which is probably ''La Burrerita de Ypacaraí'' from 1962. The film industry in Paraguay has historically suffered from lack of funds, public interest and equipment, as well as the repressive Alfredo Stroessner government of 1954–1989. Argentine director Lucas Demare chose to film ''La Sed'' (1961), an adaptation of Paraguayan author Augusto Roa Bastos's ''Hijo de hombre'', in Argentina because of this. The exception to this was the 1978 state-funded film ''Cerro Cora'', directed by Guillermo Vera, which promoted the historical and political views of the Stroessner government. This was the first wholly Paraguayan-made film and was based on the events of the Paraguayan War.
Only a handful of films were made in the country during the 1980s, though some Brazilian films were partly shot in the country. 1989 saw the overthrow of Stroessner and the re-establishment of democracy. Since then the situation has slowly been improving; in 1990 the Fundación Cinemateca del Paraguay was set up and the annual Asunción Film Festival inaugurated, and several new cinemas have been built in Asunción and other Paraguayan cities. The 1994 film ''Miss Ameriguá'' gained some international interest, as did 1998's ''El Toque del Oboe''. This has continued into the new century with films such as ''María Escobar'' (2002), ''Miramenometokei'' (2003), ''Hamaca Paraguaya'' (2006), ''Felipe Canasto'' (2010) and ''Semana Capital'' (2010). Funding remains a problem however and the market is dominated largely by American and Argentine films.
In 2015 Paraguay submitted their first entry for consideration for the Academy Award for Best Foreign Language Film with Arami Ullon's documentary ''Cloudy Times''.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Cinema of Paraguay」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.